Blues for the RedBoy Presents: The Integrated-Ass Crowd Mix!

Yeah, yeah, yeah. I know. I’m late. But if I wasn’t late, I wouldn’t be me, then where would I be!? Don’t answer that. Instead, know that I’ve been hip deep in lawyers and real-estate agents as of late and just as the deal was about to crystallize on a 250 year old mansion in Spanktown, it fell through – as in’ Through the back corner of the foundation and into the basement where it put a ten foot crack in the cast-iron septic line. Oh well, nothin’ cures a case of the doldrums like some sexually suggestive funk & soul, so please excuse me while I whip this out…

You will find scant words in this mix, which is fine by me as I have my own problems to worry about without having to listen to people bitch about the trials of life decades removed. Take Concerto in F by the Willie and the Might Magnificent for example. No bullshit here, just a “Funky Beat” that’s “In My Soul” backed by a track so thick that one might break their face walking into it unknowingly. It’s also somewhat of a mystery track as this comp will eventually divulge, as it appears on various labels, by various bands, and w/ various names. Can’t say for sure who’s hand is in it, sufficed to say that it’s in elbow deep.



If I were hard pressed to pick a follow-up to ‘Willie’, I could do a lot worse than the Dapps, ‘Bringin’ Up the Guitar’ on King records. Perhaps best known for their King collaboration with Hank ‘The Twist’ Ballard, the Dapps prove that they can headline their own discs in spades and that sometimes it pays to feed a guitarists ego (Dangerous as that might be). Seriously though, all those minor melodies get major props from me.

I’ve got a soft spot for this third track. First, the Nike label calls to mind the Nike missile defense system, who’s abandon silos scattered about NJ I have had the distinct pleasure of being drunk in at one time or another. I might have even spray painted a pentagram or two (Who can say?). Second, ‘Boogaloo Tramp’ and it’s flip are evenly matched in that they are practically the same goddamned song w/ different lyrics (Not that Boogaloo Tramp really has lyrics). It’s like my grandma always says, “When in doubt, go w/ the Boogaloo.”



Since I already broke the dam w/ a King records release, I might as well buttress a James Brown reference w/ a cool cover of the Godfather’s ‘Hold It’ on the N-Joy label. I’ve been meanin to post this track by its lonesome for some time, but not unlike a plate of eggs o'er hash browns, the beauty is in mashin’ it up and thrown a handful o pepper on it.

Speakin of mash up, it just occurred to me that this next cut, ‘Sock It To Me pt 2’ is also a James Brown ovure. I’ve always liked the flip better than the requisite pt 1. My only gripe is the band’s name. I mean, the Deacons!? What a stupid name (wink).



I know this next track as ‘Turbo Rock’ by the Turbos on Turbo Records (Clever, huh?), so you can imagine my surprise when I heard it under the name ‘Backlash’, listed as being by one George Kerr and pressed on ‘All Platinum’, a label which is responsible for the dome-piece of this-here head case mix, Soulin’ w/ the Whatnauts!

If this track sounds a lot like the dub b-side of ‘Concerto in F’ by Willie & the Mighty Magnificents, that because it is! Released on the ‘Stang’ label ‘Soulin’, like ‘Turbo Rock’ seems to have followed several soul labels around as a canned b-side. Be it by the Mighty Magnificents or the Whatnauts, it’s perfect for sealin’ the deal on this here mix.

Until next time, remember: the honey is for the eater, the aloe is for the peter and the chicken-fat make it finger lickin’ good!

BftRB Presents: The Integrated-Ass Crowd Mix! (Brought to by Kentucky Colonel’s Douche Powder)